Kanye was also saying that slavery was a choice in 2018. I'll guess I'll have to quote more of that article here:
"In the off chance you’re (you, the reader) reading this without knowing the backstory, here it is in broad strokes: In April, Kanye returned to Twitter for a couple blissful days of DMTweets before he spent significant time tweeting about Jordan Peterson (your favorite Incel’s favorite fake smart person), Candace Owens (I admit, I had to Google her), donned a MAGA hat, and talked
a lot about how he “loves” Donald Trump, because he can see the good in all people. Also somewhere in there he went on TMZ and said slavery is a choice. I’m not near the smartest person to offer a take on this, so instead I’d direct readers to
Ta-Nehisi Coates’ piece in The Atlantic.
Publicly admitting you love Kanye West and think he makes the best music always came with some baggage — it opened you to Facebook comments from white men in their 30s telling you his music wasn’t even music; it also willfully played “you can’t see me!” with his painfully unwoke lyrics about women in his life — but now saying you love
ye comes with taking the whole kit and kaboodle. Loving
ye means you’re at some level OK with the MAGA hat, the slavery quotes, the
horrible fast fashion clothing. It’s been a shaky ass year.
And that’s why I wanted to talk to you here: I think I actually kinda like
ye. The crux of the Coates piece is that Kanye wants to have the average-ness of white male freedom where you can say dumb ass shit and keep your career (see: Mayer, John), and it took me to hearing PARTYNEXTDOOR singing over twinkling keys on “Wouldn’t Leave” to forget everything, even if he
literally mentions his TMZ quotes in his first couple bars on that very song. Despite me wanting to stay resolute in the face of the bullshit, I’ve listened to “Ghost Town” like 30 times already, and it makes me think the Kanye-CuDi album on Friday is actually going to be a masterpiece. Kanye still makes the music that sounds the best, even if everything else is insidious.
It turns out my ability to separate the artist from the art — which after being staunch in the belief of the need to separate, I’ve been convinced that’s ultimately a position of privilege; if you can separate art and artist you often have not been targeted by their crimes/diatribes/lyrics — is iron-clad when I hear Charlie Wilson doing his thing over Kanye soul chops. Kanye’s greatest strength, all along, has been his ability to pull in tons of people/collaborators/performers into his orbit, and playing them perfectly; his use of Ty Dolla $ign is more virtuoustic than anyone’s use of a guitar right now.
I guess I’m saying I like
ye. "