$45 is crazy for a single LP record. That's more than Tone Poets which have a better presentation IMO.Was real close to buying Axelrod. But after spending way too much on RSD, I had to let it pass.
$45 is crazy for a single LP record. That's more than Tone Poets which have a better presentation IMO.
Yeah, I completely agree here. My local has single LP Tone Poet's priced at £37 a pop. Those in the series that don't sell out settle for around £30 on ebay as a buy it now. I tend to wait nowadays until offers come up but getting one I want for around £27 is what I consider a win (mad really but relatively speaking)TBH it's not that different than what the Tone Poets sell for in Europe. Not sure what you'r meaning by presentation, but I would say this is as good as a Town Poet from sound to packaging. It's a great album. (It would be nice if it was cheaper though)
TP list price here is $39 but then you can almost always find them for at least 20% off at Udiscover.TBH it's not that different than what the Tone Poets sell for in Europe. Not sure what you'r meaning by presentation, but I would say this is as good as a Town Poet from sound to packaging. It's a great album. (It would be nice if it was cheaper though)
I think the Jazz Dispensary titles were really well done. From packaging to the mastering and pressing. With that said, they're really overpriced. I think $35 would be fair, $45 is silly. But I still bought three of them so I can't really talk...
I still think VMP makes the most sense for international customers over US customers. If I lived in the UK or abroad, I'd probably be a subscriber still.I think it's too much, but comparing to others, particularly in the UK, they're not that bad. AP title are all $40 each but cost a lot more to get shipped to the UK. I do think they are on par with the Tone Poets, which is about the same price. Heavy RTI vinyl, well mastered with good quality jackets.
I still think VMP makes the most sense for international customers over US customers. If I lived in the UK or abroad, I'd probably be a subscriber still.
The disconnect for me on these is that all the other jazz dispensary titles in the US are $25 or less. Same quality pressings and jackets. So it just seems like I'm paying nearly twice as much for an exclusive color and it being limited. I'm assuming the other Jazz Dispensary titles (like the recent represses) are harder to find in UK/Europe though.
Don’t wanna jinx it, but Craft is pretty consistently releasing $20-30 AAA releases pressed at RTI with nice jackets. Probably like Rhino in that they aren’t paying to license but still. $45+ is on the high side. And considering it’s a Craft release and VMP was charging this price almost 2 years ago, it’s just hard for me to justify itSadly, I think the $40-45 range is becoming the standard rate for single LP audiophile release with top mastering \ cutting engineer, Tip-on jacket, poly sleeve, original artwork, etc. At least 4 out of the 5 they were kind of enough to include an Obi.
Intervention Records ($40), Speakers Corner ($42), Pure Pleasure ($42), Analogue Productions ($40), and lots of the MOFI in the $40 range.
Not justifying or disagreeing, more lamenting that prices are just nuts these days all around for anything halfway decent. There are very few bang for the buck new releases.
But $60 CAD is like…$10USD right?Man it's a different world up here. Mofi and AP starts at $60 single LP, 2 LP $70-99, PP $50, Intervention $60.
I still think VMP makes the most sense for international customers over US customers. If I lived in the UK or abroad, I'd probably be a subscriber still.
The disconnect for me on these is that all the other jazz dispensary titles in the US are $25 or less. Same quality pressings and jackets. So it just seems like I'm paying nearly twice as much for an exclusive color and it being limited. I'm assuming the other Jazz Dispensary titles (like the recent represses) are harder to find in UK/Europe though.
But $60 CAD is like…$10USD right?
It is crazy though to see the prices of most audiophile records outside of the US. Don’t know how I’d manage (or I’d just be broke all of the time).
I'm just really glad I bought most of the important AP and Mofi 45s a couple years back. Because $100 a pop is rough.It is crazy though to see the prices of most audiophile records outside of the US. Don’t know how I’d manage (or I’d just be broke all of the time).
I grabbed the Joe Henderson - The Elements repress recently for $25 and it’s same quality or maybe even nicer jacket than the Heavy Axe VMP. I’m secretly hoping that they reissue the VMP titles on black in a wider release. The Rusty Bryant jazz dispensary title just came back into stock recently and so did Gary Bartz so those are both on their way to me soon! I’d recommend The Elements for sure if you can track down a reasonably priced copy in the UK!I get what you're saying & I haven't got enough Jazz dispensary titles to compare, but I did get the latest RSD one & packaging and vinyl is a lot more lightweight, still done at RTI. I think with the VMP titles they are the premium pressing, almost like Blue Note Classic compared to Tone Poet but not quite. I'm sure there are other Jazz Dispensary titles that are done of the same quality for a lot cheaper but I think that is happening less & less. (unfortunately)