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They’re warm sounding with an emphasis on the mids, good bass and non fatiguing highs. They use modern materials so they are definitely more accurate that their historic predecessors would have been but as a 3 way large stand mound, yeah, I am!
Exactly, they're built using modern drivers therefore they should have a more new-school sound based on an old-school approach no?
 
Exactly, they're built using modern drivers therefore they should have a more new-school sound based on an old-school approach no?
Not necessarily. I don't get the impression that Wharfedale is voicing for a modern (ie bright, revealing, highly detailed) sound. Enclosure and crossover tuning make a hell of a difference.
 
Exactly, they're built using modern drivers therefore they should have a more new-school sound based on an old-school approach no?

It’s more a modern take on an old design. They’re using all the old principles but with modern materials to make the components. All the good things about the old sound but modern materials take away the downsides. They ain’t going to sound remotely like a very modern speaker, like say a set of KEF LS50s for example, and thank god for that!
 
It’s more a modern take on an old design. They’re using all the old principles but with modern materials to make the components. All the good things about the old sound but modern materials take away the downsides. They ain’t going to sound remotely like a very modern speaker, like say a set of KEF LS50s for example, and thank god for that!
I guess you're not a fan of bright sounding speakers 😆
 
I guess you're not a fan of bright sounding speakers 😆

Well I’m using a tube amp and large deep 3 way stand mounts 😂

But no I’m not, I tend to listen in long sessions and bright is fatiguing on my ears. Plus bright is exactly why I left CDs behind, if I wanted that I wouldn’t have gotten into vinyl!
 
It’s more a modern take on an old design. They’re using all the old principles but with modern materials to make the components. All the good things about the old sound but modern materials take away the downsides. They ain’t going to sound remotely like a very modern speaker, like say a set of KEF LS50s for example, and thank god for that!
Same ethos behind the L100s.
 
Yeah exactly, most of the older big speaker companies are doing it at the moment with heritage lines. It seems to be the best of both worlds to me!
Yeah I mean I LOVE the sound out of these things. They're still technical and the highs absolutely crush my Revels in terms of both accuracy and range, but the vintage warmth is just woven throughout the sound and it's wonderful.
 
This is one great aesthetic. The Japanese audiophiles know how to do classy hi fi.
 
This is one great aesthetic. The Japanese audiophiles know how to do classy hi fi.
Yes absolutely, that is why I like Marantz, Rotel, Technics etc.
 
The word is that it and the leak stereo 130 are effectively same amplifier with the only differences being slight fine tuning to suit a house sound.

Ed reviewed it a little while back.

I have the Leak Stereo 130 for what it's worth and love it. I read the same thing that it and the Quad Vena shared a lot of the same components, etc.
 
I have the Leak Stereo 130 for what it's worth and love it. I read the same thing that it and the Quad Vena shared a lot of the same components, etc.

With them all being divisions of IAG it really wouldn’t surprise me if it, the audiolab 6000 and the Vena were all essentially the same base unit with the differences being down to how each one chose to voice the unit! They all review really well too so none of them seems like a bad idea!
 
This is one great aesthetic. The Japanese audiophiles know how to do classy hi fi.
This is a vinyl bar in Japan and I WANT TO LIVE IN IT
Screenshot_20220127-111004_Instagram.jpg
 
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