Mr Moore
Well-Known Member
I was thinking about this, a lot of it too may be demand. In Japan (and arguably Europe), CDs are still massive (I mean compared to US market), and really in boils down to, what will sell and what market is it aimed after. At this point it seems almost rare that, at least free jazz/avant/leftfield legendary and/or rare releases is done by a US label, unless it's something that is a bit more mainstream in even that world (Sun Ra comes to mind right away), I'd assume if say you had Numero or Light In The Attic etc doing these types of reissues we'd see vinyl packages of them, but I think the market in the US for these is limited and is really aimed in Japan/Europe/UK
Also the contracts for these reissues if done on the level so to speak, may limit format and really also may boil down to margin, you can make so much more on a cd release then vinyl depending on the package, and if royalties and getting the money to say publishers and or directly to the artist the higher margin is probably the way to go
Using the Ali reissues as an example, at least one of them is still in stock. I think really that's due to price. I mean record collectors in Japan will spend the money but there maybe be a limit to that. With Survival Records out of the US, it just shows I think the market at least right away isnt there. I think if this was a Euro/UK reissue both may have sold out right away
Also the reality too is this - Free Jazz still isn't a big deal to Jazz record collectors. I mean even take this thread, and this is no offense to anyone or any post here at all, but it's a lot of mainstream jazz, I love blue note like everyone else, I love impulse too, but my heart really is in free jazz as cheesey as that sounds. Those mainstream records are easy to get and they have value, so while these more avant releases and reissues do have a lot of value, it just isn't attractive to a lot of labels outside of the small ones, and breaking the bank to sell maybe 300-500 copies of a record of say Arthur Doyle just may not be in the cards ...
Yeah, it's definitely more niche and a small run may just not be worth the hassle for a small company. As it happens, discogs mentions Babi is a needle drop remaster as the original tapes are lost so they may also consider it not worth putting back to vinyl once it's entered the digital domain which is fair enough.