Jazz

This has always been his attitude. Playing jazz for the upper class making it un-affordable for everyday people.
I don’t think about Branford in that way at all.

The comments from Branford are just odd. He was an innovator and did a lot of work to bring jazz to the people, especially for someone of his stature. I’ve always seen him as an interesting counterpoint to his brother’s staunch traditionalism.
 
I found this very disappointing. Why does the old guard act this way?


That quote is from Branford Marsalis? Wtf, I thought it was only Wynton who was the close minded one about jazz in that family. Smh. To each their own I guess. I'm glad Glaspar and Kamasi have brought a fresh approach to modern jazz and are looking to expand it and bring it to a younger audience.
 
Vol 5 is sensational music, but there is a lot of talking that's a lot quieter than the music, so it's probably better on CD for that reason, but at that price it's great value, Vol 1 is great, but again you get a DVD of 2 gigs with the CD that are must sees , but not the vinyl .
Small world, I just put an order in for the Miles Davis - Freedom Jazz Dance (The Bootleg Series Vol. 5). Seems like an interesting collection of of takes and first takes on a lot of the songs covered on the Miles Smiles, Nefertiti, and Water Babies albums. Got it at a decent price as well, its a 3LP set and I paid £18.99 with a few quid postage on top.
 
Keep @stpaulbrowns in mind if he does actually notify you. I


And fuck, I waited too long on Coltrane Jazz over at In Sound. Now it’s gone. :(
Cc: @Dead C and @Dark Star Boogie

Well, I just stumbled onto a Coltrane Atlantic mono box set on eBay for $80 (or make an offer). Inspired by @Dark Star Boogie’s $63 screaming deal, I offered the same and it was accepted. Woot!

Thanks for keeping me on the radar! 👊
 
I found this very disappointing. Why does the old guard act this way?

If anyone is interested in the whole interview: https://jazztimes.com/features/interviews/branford-marsalis-secret/

I think both Branford and Robert make valid points but also indulge in saying some dumb shit. For Glasper to accuse Branford of being "afraid of change" is completely ludicrous. Branford took shit from his own brother and mother in the 90s when he was pushing the boundaries and experimenting with hip-hop himself. Glasper also claims that this kind of thing is "killing" the music and that no other genres have to deal with shit like this, which is of course dead wrong. As much as I think Branford was definitely too harsh in his critique (mostly that Glasper isn't jazz or that Kamasi is a sax player but not a jazz player), Glasper did the same in his response if not moreso. Glasper puts him on blast and makes a bunch of straw man accusations knowing that others will jump on the post to attack Branford. It's just a bad look all around. Hopefully they both chill out and they should really just get together and jam.
 
If anyone is interested in the whole interview: https://jazztimes.com/features/interviews/branford-marsalis-secret/

I think both Branford and Robert make valid points but also indulge in saying some dumb shit. For Glasper to accuse Branford of being "afraid of change" is completely ludicrous. Branford took shit from his own brother and mother in the 90s when he was pushing the boundaries and experimenting with hip-hop himself. Glasper also claims that this kind of thing is "killing" the music and that no other genres have to deal with shit like this, which is of course dead wrong. As much as I think Branford was definitely too harsh in his critique (mostly that Glasper isn't jazz or that Kamasi is a sax player but not a jazz player), Glasper did the same in his response if not moreso. Glasper puts him on blast and makes a bunch of straw man accusations knowing that others will jump on the post to attack Branford. It's just a bad look all around. Hopefully they both chill out and they should really just get together and jam.


Didn’t Glasper have a problem with a singer he backed up or refused to use him?
 
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