Upcoming/Recent Shows

Saw W.I.T.C.H. on Tuesday night in a tiny club. Ho-lee-shith.

What an incredible band. This was one of those shows that not only delivered great music but repaired and reinvigorated my soul. I'm a better person for having been there.

If you know what's good for you, go see W.I.T.C.H. play live and buy their music and merchandise.

Here's a really shitty picture...

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Here's a taste of a pretty good recording...


How am I just now putting 1 and 2 together that this W.I.T.C.H. is the same Witch from the VMP Zamrock box. That Introduction record was probably my favorite of all of them. I've followed their socials now so I don't miss them if they come nearby!
 
How am I just now putting 1 and 2 together that this W.I.T.C.H. is the same Witch from the VMP Zamrock box. That Introduction record was probably my favorite of all of them. I've followed their socials now so I don't miss them if they come nearby!

With the amount of live shows @Djxfactor511 , @Rip_City , @Tillman , @threesunrises , @Enaz Fox and @imtheocean see (and I'm probably overlooking many), I need to convert y'all to tapers. We're a dying breed and need a new generation to document all this great music for future generations.
 
James Brandon Lewis

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Best gig I've been to for a long, long time. For my money, James Brandon Lewis is the most talented jazz musician currently playing. He's got a fantastic quintet, quartet, just played a wonderful string quartet, I love his sax and drums duo, but this night was his new trio (sax, drums, electric Cello). Fabulous mixture of lyrical and wailing, and he has a great ability to take it way out and being it back in.

Even better was afterwards. I got to hang with him for 3 hours after the gig, and share a few Aquavits, a stroll around Oslo, and even a kebab with him. Top guy, top musician, and look out for a lot of albums from him next year.
 
Ichiko Aoba (青葉市子) is a Japanese artist who found her way to my ear in late 2020, when Windswept Adan made the rounds late in the year and impacting a few best-of lists. She visited Portland last night as part of her first ever tour in North America. Her performance showcased her divine vocal prowess, and her otherworldly classical guitar talent. Smitten by her, truly. I will be thinking about last night's concert for years to come.

I got to the venue about 40min before doors to ensure a nice seat...and I was the first one there! After entering, I got a seat directly in front of the lone chair on the stage where Aoba would sit in for the entirety of the show. Very minimal stage equipment/instruments.

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I got seated for about half an hour before deciding to check out merch, which had $40 signed copies of Windswept Adan, some T-shirts (of XL sizes and above only), story booklets of Windswept Adan, and signed posters. I had brought my own Windswept Adan jacket from home hoping to get it signed. Upon overhearing that someone asked a merch attendant if Aoba would be signing merch after the show, he was told that she did at some stops and not at others. I panicked upon hearing this and decided to buy a signed copy (which was at dangerously low stock) at the table, as well as a poster. Headed back to my seat to await the show.


Charlie Martin

Again with another solid opener. Perhaps some of you know of his music on this forum? His name sounds oddly familiar.
Singer/songwriter artist with a bit of twang. Enjoyable, and will add him to my backlog.

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Ichiko Aoba (青葉市子)

She drew everyone's eyes from the moment she stepped onto the stage. Her traditional clothing, graceful and polite speech in a room so quiet that you could hear a pin drop, and her classical guitar were transfixing. By the time she finished the second song in the setlist (the extravagant "Pilgrimage"), I completely forgot that there were people next to me in a packed, seated venue.

She played 12 songs, mostly from Windswept Adan but a few from 0 and others as well. Set time went for just under ~70min, including encore.

In between songs, she occasionally used her humming as a vehicle to create a short story, much like how the Katakana alphabet can be used to mimic sound effects. In one incredibly cute instance, she used her humming to create the onomatopoeic sound to a small insect landing on her mic stand, using her right index+middle fingers to symbolize the insect itself, oscillated her pitch in tandem with moving her fingers along the stand up to the microphone, then up to the element, and then a quick sharp gobble as her fingers landed on the microphone element. 😍

Not only was this a top10 show for the year, it's one of my top10 all time. I have no doubt in my mind. I was so moved and captivated by what I had the honor to have witnessed and hear.

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This song, "機械仕掛乃宇宙" from Aoba's excellent 0 features so many twists and turns, and changing time signatures to go along with a heartfelt vocal performance. This song is actually over 12min long, but I only captured the last 8min of it.



This one too, a quick and delightful closer before the encore:



Post-Show

After stretching and chatting briefly with the nearby people in the front, I waited around in the main stage area if others were thinking about the same. I ended up heading down to merch area and had a chat with a pair of gentlemen while waiting in line for ~5min, which I entered the conversation after hearing one of them mentioning MP as a record store that he liked. Small world!
After I got near to the front of the merch table, Aoba appeared just a minute later. She was signing booklets and records that some people brought from home. I asked her in Japanese to request in signing mine that I brought with me, which has a slightly different signature to the one I bought at the table (it has the same fish and name scribble, but also with "18 Oct 2022" symbolizing the concert day 🤗). Also got a photo with her! ❤️ I thanked her for the beautiful concert and wished her well for the rest of tour, hoping that she makes a return to Portland someday.
With the second signed Windswept Adan, I'll figure out what to do with it eventually. NO, this does not count towards my no-buy month, which I have honored. ;)
I'm still smitten.


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EDIT: Corrected Ichiko's first name; used incorrect kanji in bolded subheader.

Sounds like a fantastic show! Very excited to see her in a few days!
 
I have definitely thought about it! At the very least asking to plug into soundboards.

You'd be surprised at how many bands, especially those playing medium to small venues, are appreciative of tapers if you reach out. There are even some bands that will guestlist tapers in return for their work - and yes, it can be a bit of work to produce a nice capture. A few that come to mind that have guest listed me in the past - North Mississippi Allstars, Black Midi, Alejandro Escovedo, Cowboy Junkies, Little Feat, Black Joe Lewis & The Honeybears, etc...

Funny story - I have a relationship with Black Midi and the last time I saw them, like every time I've seen them, I was the only taper. They also record their shows. Just before the band is set to go on, their manager/soundman comes over and says "It's all you tonight, man. Someone forgot to put a memory card in the recorder. I'm glad you're here."

It really is a fun hobby. And the satisfaction of sharing good music with good people is the best.
 
speaking of black midi... saw them and King Gizzard last night. black midi was incredible.

90 minutes of live Gizz just felt criminally short... it's impossible to see them and not want more, more, more! but they're on a whole new level of incredible live playing right now... what a night!

black midi
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KGLW
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Ichiko Aoba (青葉市子) is a Japanese artist who found her way to my ear in late 2020, when Windswept Adan made the rounds late in the year and impacting a few best-of lists. She visited Portland last night as part of her first ever tour in North America. Her performance showcased her divine vocal prowess, and her otherworldly classical guitar talent. Smitten by her, truly. I will be thinking about last night's concert for years to come.

I got to the venue about 40min before doors to ensure a nice seat...and I was the first one there! After entering, I got a seat directly in front of the lone chair on the stage where Aoba would sit in for the entirety of the show. Very minimal stage equipment/instruments.

View attachment 154547

I got seated for about half an hour before deciding to check out merch, which had $40 signed copies of Windswept Adan, some T-shirts (of XL sizes and above only), story booklets of Windswept Adan, and signed posters. I had brought my own Windswept Adan jacket from home hoping to get it signed. Upon overhearing that someone asked a merch attendant if Aoba would be signing merch after the show, he was told that she did at some stops and not at others. I panicked upon hearing this and decided to buy a signed copy (which was at dangerously low stock) at the table, as well as a poster. Headed back to my seat to await the show.


Charlie Martin

Again with another solid opener. Perhaps some of you know of his music on this forum? His name sounds oddly familiar.
Singer/songwriter artist with a bit of twang. Enjoyable, and will add him to my backlog.

View attachment 154541View attachment 154548


Ichiko Aoba (青葉市子)

She drew everyone's eyes from the moment she stepped onto the stage. Her traditional clothing, graceful and polite speech in a room so quiet that you could hear a pin drop, and her classical guitar were transfixing. By the time she finished the second song in the setlist (the extravagant "Pilgrimage"), I completely forgot that there were people next to me in a packed, seated venue.

She played 12 songs, mostly from Windswept Adan but a few from 0 and others as well. Set time went for just under ~70min, including encore.

In between songs, she occasionally used her humming as a vehicle to create a short story, much like how the Katakana alphabet can be used to mimic sound effects. In one incredibly cute instance, she used her humming to create the onomatopoeic sound to a small insect landing on her mic stand, using her right index+middle fingers to symbolize the insect itself, oscillated her pitch in tandem with moving her fingers along the stand up to the microphone, then up to the element, and then a quick sharp gobble as her fingers landed on the microphone element. 😍

Not only was this a top10 show for the year, it's one of my top10 all time. I have no doubt in my mind. I was so moved and captivated by what I had the honor to have witnessed and hear.

View attachment 154543View attachment 154545
View attachment 154544View attachment 154546

This song, "機械仕掛乃宇宙" from Aoba's excellent 0 features so many twists and turns, and changing time signatures to go along with a heartfelt vocal performance. This song is actually over 12min long, but I only captured the last 8min of it.



This one titled "太陽さん" as well, a quick and delightful closer before the encore:



Post-Show

After stretching and chatting briefly with the nearby people in the front, I waited around in the main stage area if others were thinking about the same. I ended up heading down to merch area and had a chat with a pair of gentlemen while waiting in line for ~5min, which I entered the conversation after hearing one of them mentioning MP as a record store that he liked. Small world!
After I got near to the front of the merch table, Aoba appeared just a minute later. She was signing booklets and records that some people brought from home. I asked her in Japanese to request in signing mine that I brought with me, which has a slightly different signature to the one I bought at the table (it has the same fish and name scribble, but also with "18 Oct 2022" symbolizing the concert day 🤗). Also got a photo with her! ❤️ I thanked her for the beautiful concert and wished her well for the rest of tour, hoping that she makes a return to Portland someday.
With the second signed Windswept Adan, I'll figure out what to do with it eventually. NO, this does not count towards my no-buy month, which I have honored. ;)
I'm still smitten.


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EDIT: Corrected Ichiko's first name; used incorrect kanji in bolded subheader.
EDIT 2: Found the song title for the closer in the second video, "太陽さん." It can be interpreted as "Mr./Mrs. Sun" like giving the sun personification. Very appropriate given the cheeriness of the music.


Caught Ichiko last night in Somerville! Charlie Martin was also her opener here too. I got there late so i only caught the last song from Charlie. He seemed pretty good but not really my style so I'm not too disappointed . He did rejoin her during her set where they sang a duet which I'm assuming it's one of his songs? She was great - like Rip said, even in a large crowd, it felt like an intimate performance - everyone dead silent. She did play "機械仕掛乃宇宙" as well in this show which was fantastic live. I wanted to grab her signed Windswept album when I came in but the line was wild and i had the option to get an OK standing spot where I could at least see her or wait in line so I opted for the first. I did end up grabbing a shirt & a poster at the end though so that was cool. Even then, I wasn't too close though so all my shots were potato 2000s Nokia brick style:

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Here's part of her performance of Easter Lily:

It says still processing - but hopefully will complete soon.

Very glad I was able to make it!
 
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Went to Portland on Wednesday night to see Haru Nemuri (春ねむり). Was worried about being somewhat disappointed during the initial set, but the encore elevated the show substantially.

Helens

Local band based in Portland. I've seen this group right before the pandemic as support for Deserta. Back then, their show was not enjoyable at all (horrible vocals and terrible instrument mixing) and I wasn't sure what they were going for. However in the ~2.5 years since then, this group has pivoted towards more of a shoegaze direction, and they sounded so much better. Tighter chemistry. They also have an album release coming up soon, and are playing a few shows in the upcoming months. Enjoyable opener.
Adding them to the backlog.

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Haru Nemuri (春ねむり)

Haru Nemuri is a Japanese musician blending genres in a cacophony of elements from electronic, noise rock, hardcore, J-pop, and hip hop. There was a ~15min delay to the set start time, with issues stemming from stage lighting. I'm somewhat disappointed that there were no live musicians backing her up, only a DJ to play backing tracks at an unbalanced volume level...often to the point where her mic volume was difficult to distinguish during any sections where she wasn't screaming.

She burst onto the stage with seemingly boundless enthusiasm and energy, and kicked off with the excellent "Kick in the World (déconstructed)" from the newest album "春火燎原" this year, with only a brief moment to applaud before the fan-favorite "鳴らして." During most songs in the set, she was making full use of the length of stage for interpretative dances and energizing the crowd from left to right. After each song, she was clearly exhausted and drenched in sweat from her feverish energy, taking several moments to catch her breath and drink water. She ventured out to stand on the gate separating the general floor with the empty aisle a few times, whilst being assisted by an audience member locking hands with her. She crowdsurfed twice, as well!

She took time to speak with the audience in between a few of the songs, including and how thankful she was to visit the USA for her second tour in the states (first in Portland), her album's meaning, and what to sing/shout during a few of the choruses in the songs to be performed shortly after. Her English is not quite there and she stumbled a few times with a few long pauses, but the audience cheered her on regardless.

She only performed eight (!!) songs in her set, lasting just short of 50min, with a few of the song performances having some shaky vocals outside of any screams. However, her encore lasted another three songs for an additional 20min of stage time, with a very emotional message from Haru to the audience regarding self-love and acceptance. She welled up when mentioning Portland being the final stop of the tour, and how all of the crowds have been supportive. She was noticeably in tears throughout the entirety of the "せかいをとりかえしておくれ" finale, and had to take a full minute to let it all set in.

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Some video of "Riot" and surrounding chitchat:


A group photo was taken right after the encore. It wasn't a sold out show, so the crowd condensed noticeably from my angle to get in the shot. She posted on her IG a day ago:



Post-Show

I lost an earplug during the second to last song in the set and was frantically searching for it after the group photo was taken. A majority of the audience cleared out of the venue within a few minutes, and I was able to find it intact three minutes later.
The line for merch wasn't too long at all and after waiting in line for about two minutes, one of the venue employees handed out a few complimentary small posters to a few of us in the back of the line, and I happily took one...saving me on expenses for one of the large tour posters at the table. A few minutes after, Haru jogged over to the table where she would be signing merch and posing for photos, albeit behind a rather large picture frame as COVID-19 safety measure, I take it.
By the time it came to my turn, I asked her in Japanese to sign both the newly acquired poster and my copy of "春と修羅" that I stowed away safely from home. Made sure to request a photo, and handed my phone over to one of her crew. Below is the best of the three that were taken...in my opinion. Her facial expression has me sent. 😂
Not a top10 show for the year, but an enjoyable night nonetheless.

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EDIT: grammar
 
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Saw The Disco Biscuits last night at one of my favorite venues, Salvage Station in Asheville. SS is parked literally on the banks of the French Broad River. Outdoor show. Beautiful night. Temps dipped down into the high 40s. Great beer and food trucks.

The stage is open all around and the trees that separate it from the water behind form a cool natural backdrop for lighting effects...

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Saw The Disco Biscuits last night at one of my favorite venues, Salvage Station in Asheville. SS is parked literally on the banks of the French Broad River. Outdoor show. Beautiful night. Temps dipped down into the high 40s. Great beer and food trucks.

The stage is open all around and the trees that separate it from the water behind form a cool natural backdrop for lighting effects...

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You doing any of the Billy Strings shows this weekend?
 
Late again.
Went to see Portland ambient duo Visible Cloaks on Thursday on a cheapie ticket ($12). Enjoyable and relaxing night. I'll keep the descriptions short this time around.

The Garbage Man

The Garbage Man is the DJ alias of Liz Harris (Grouper). Selections included Linda Perhacs, Herbie Mann, and a few spiritual jazz/esoteric folk songs.

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{arsonist}

Electronic musician who possesses a doctorate in neural circuit simulation. The set began with drone music transitioning into glitchy electronic textures. Last ~10min ventured into an unexpected downtempo direction. Overall, she was OK.

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Visible Cloaks

Last time I saw Visible Cloaks was when they opened for Fennesz, a week before the pandemic was announced.
On their most recent record Serenitatem, they draw a lot of their influence from the Japanese approach to ambient/minimalism. Very much the case with this performance, alongside a visual of various areas in Japan (and cel-shaded deconstruction). Unfortunately, the visual stopped working about five minutes prior to the end of their set. Other than that, enjoyable just like the last time. I think they have some new music TBA next year.

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Post-Show

Was curious to see where Liz was hanging out after the show, so I wandered around both primary areas of the venue and found her chatting with someone else. I withdrew my jacket of Shade and a marker from my bag and waited for her to finish her convo. She inquired "That for me?" to which I shyly nodded. She took both items and drew a small "wave" doodle on the jacket, in similar style to the three I provided when I saw her in April. I thanked her for the signature and headed out.

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Spellling was phenomenal. Seriously. They took the art pop style from The Turning Wheel (and a few other songs) and transformed it into a cinematic art rock epic. What an engrossing, whimsical, and wholly satisfying performance.

Sun Atoms

Portland band with a psychedelic trance/slacker rock vibe. Fairly enjoyable, but couldn't make out any of the lead vocalist's lyrics. The last song they performed had a neat five-minute jam out session, with each member leaving the stage one by one. They'll be opening for Modest Mouse here in November.

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Spacemoth

Neo-psychedelia/indietronica/synthpop group that draws obvious inspiration from Broadcast. On that topic, I'm pretty sure they performed a cover of one of their songs in this set. Very solid performance overall. Lead frontwoman Maryam Qudus was also responsible for mixing a few songs on Spellling's The Turning Wheel including the whimsically brilliant "Always." Their debut album No Past No Future dropped this year.

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Spellling

Oh so good. This show was everything I hoped for. Boundless energy from lead lady Chrystia Cabral and excellent individual musician performances, especially from the lead guitarist on a handful of the selections. The backup singers were also wonderful in providing stage theatrics depth and vocal layering.

They kicked off with the dark, moody, yet groovy "Under the Sun" from the unjustly under the radar Mazy Fly. From there on, most of the set was taken from last year's extravagant The Turning Wheel. They played all of my favorites, to my delight. "Boys at School" was wholly stellar, with everyone in the audience belting the chorus.

The encore was just as extravagant, with everyone singing along to the luxurious "Little Deer" and "Emperor With an Egg." Set went for a healthy ~75min altogether, ending ~10min past midnight.

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The excellent "Turning Wheel" here, one of the standout performances from Friday's set:



Why not some more? Video of "Always," my favorite song from The Turning Wheel:



I must add that the videos taken above don't even showcase the epic levels the later songs in the set achieved instrumentally. Might have to consider this for a top10 show this year. Phenomenal.

EDIT: grammar and some description changes
 
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This past Wednesday night, I went to see Squirrel Nut Zippers. They are a lot of fun.

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They played probably their most well known song "Hell" with red lighting for effect. Red lighting is always pretty hard for me to get a good clear pic. Here is the same pic with the natural stage lighting and another with my saturation editing.... Live the red was appropriate, picture-wise I like the black & white better.

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The opener Billy Goat Strut Review was awesome, too.

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