avecigrec
Well-Known Member
re: Country Jazz, see also:
View attachment 213045
A great album, but I'm still pissed it was in the box set.
re: Country Jazz, see also:
View attachment 213045
re: Country Jazz, see also:
View attachment 213045
An all-timerre: Country Jazz, see also:
View attachment 213045
According to some guy on discord, the 1990s album isBill Frisell – Have A Little Faith
Never heard of it but the three comments on its discogs page are from people clamoring for a vinyl release so... yay?
Yeah it was 100% confirmed by one of employees during the Friday Q&A. Everyone was very pleased, but I took with pinch of salt, everyone is also super delighted with Gus Cannon.What the fuck am I listening to.
Edit: why is there a 10-minute-long Madonna cover
Edit 2: why is the 10-minute-long Madonna cover REALLY FUCKING GOOD???
What the fuck am I listening to.
Edit: why is there a 10-minute-long Madonna cover
Edit 2: why is the 10-minute-long Madonna cover REALLY FUCKING GOOD???
But that is the VMP way: reissue an artist’s 5th best album and hype it like it is a lost holy grailBill Frisell is an interesting pick, this album not so much. I would have loved them to release the covers album he did with Petra Haden.
IF IT WAS THEIR BEST ALBUM, IT WOULDN’T BE A LOST SOUND TO FIND!But that is the VMP way: reissue an artist’s 5th best album and hype it like it is a lost holy grail
Bill Frisell is an interesting pick, this album not so much. I would have loved them to release the covers album he did with Petra Haden.
I’m weirdly hyped for both. Both are out there (I admittedly get how Frissell might be a bridge too far for many).It does have some genuinely good songs (I wasn’t joking about the Madonna cover) and it doing some weird Billy the Kid concept suite for the first half of the album is certainly a choice… but as a whole I don’t think it’s for me.
Can’t really criticize them for going outside of the box, especially when I’m hyped for the Abdul-Malik album coming next month. Different strokes and all that.
In the classics aka jbFS threadI think that this move signals more of the core old school mission of VMP. I'm not currently a member but stuff like this does give me an itch. As a big Frisell fan, I'd say that it's not top five (I definitely lean towards his experimental/avant side) but this is I'd say the best with this group. If you don't want to listen to "No Moe" on repeat, you are half dead. Also, I'm down with anything that includes Joey Baron. Thumbs up from me.
Side note: where can I find any of this discussion on discord? If this is where they are heading, I wonder if I should re-up.
Jimmy Scott appears in Twin Peaks Fire Walk With Me where his androgynous voice mixes with the unsettling mood. I had a cd of Falling In Love and will still be a member when this is the classics pick so I’ll definitely grab this one.I'm quite enjpying this Jimmy Scott pick, just classic, romantic, relaxing vocal jazz. I'm in.
His voice had me doing a double take on the singers gender though, but read this following
"Scott never reached sexual maturity. A genetic disorder called Kallmann syndrome prevented him from completing puberty. As a result, Jimmy’s voice never dropped. He was a natural castrato, a permanent contralto, as evidenced by 1955’s “When Did You Leave Heaven.” His voice was genderless."
Yeah - Jimmy Scott is/was unbelievable. I got into him when the records (or CDs) stated coming out during his "rebirth" while I was at the end of my college days (All The Way). Saw him a few times and thought I'd died when Rhino Handmade put out Falling In Love... That's a cherished CD. My sub expired in July but damn if I am not excited about the next three months. Bastards.I'm quite enjpying this Jimmy Scott pick, just classic, romantic, relaxing vocal jazz. I'm in.
His voice had me doing a double take on the singers gender though, but read this following
"Scott never reached sexual maturity. A genetic disorder called Kallmann syndrome prevented him from completing puberty. As a result, Jimmy’s voice never dropped. He was a natural castrato, a permanent contralto, as evidenced by 1955’s “When Did You Leave Heaven.” His voice was genderless."