Yeah exactly. The vinyl copy I have is DMM cut at Masterdisk by Don Grossinger, and pressed at Pallas. Looks like the DAT files used to cut the lacquer from were remastered for vinyl by Chris Bellman at Bernie Grundman Mastering. So who knows what digital files were provided for this release but it seems likely that they would just use this mastering and have Ryan Smith at Sterling cut a new lacquer from those files. Should sound great regardless.I would guess he didn't cut the laquer then unless the Discogs credits are wrong, it looks like Masterdisk cut the lacquer. That's the problem with these wooly terms for mastering. To give a proper picture there are really three descriptors that are used interchangeably by many:
1: "Mastering for vinyl" which is the work of preparing the record from the source to the target format, in this case ripping and EQing the DAT.
2: cutting an actual lacquer or direct-metal-mastering a disc
3: Signal path ie from a digital file, direct from tape etc.
For all we know this VMP pressing could be cut by RKS from files prepared by Bellman. Who know though, as VMP seems to not get the difference between 1-3.