Jan
Well-Known Member
That would actually be an instant resub for me. These long winters records need reissues urgentlyI’d be more impressed if the 2003 record is actually The Long Winters’ When I Pretend To Fall
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That would actually be an instant resub for me. These long winters records need reissues urgentlyI’d be more impressed if the 2003 record is actually The Long Winters’ When I Pretend To Fall
This months essentials picks are definitely curious to me. Just based purely on existing availability and value to what they would add over the current reissues. Most have already been reissued by top engineers and I don't see these versions being anything other than color variants with thick card stock jackets.
Texas flood has been reissued to death. There is a RKS 45rpm cut from AP.
Transatlanticism has a 10th anniversary edition that is cut by Kevin Grey (Gray).
Sublime has a remastered version done at Bernie Grundman Mastering as well as a Chris Bellman cut pressed at RTI.
Like WTF VMP.
Hip hop doesn't look to be any better.Pretty disappointing lineup for Essentials. Never cared for Sublime, Texas Flood is a boring pick, and I was REALLY hoping for Fever to Tell instead of Death Cab.
Agreed. I am still subbed and I'm just chalking it up to a win for my wallet. Outside of Classics and possibly one of the Country picks, nothing is really appealing to me this quarter.Hip hop doesn't look to be any better.
Personally, even though I'm not subbing anymore this is the most disappointing lineup I've seen between both tracks for awhile.
Not to mention the also currently in print Pure Pleasure (presumably) AAA version.Texas Flood is a great album, but kinda disappointing pick considering the AP version is already fantastic.
This months essentials picks are definitely curious to me. Just based purely on existing availability and value to what they would add over the current reissues. Most have already been reissued by top engineers and I don't see these versions being anything other than color variants with thick card stock jackets.
Texas flood has been reissued to death. There is a RKS 45rpm cut from AP.
Transatlanticism has a 10th anniversary edition that is cut by Kevin Grey (Gray).
Sublime has a remastered version done at Bernie Grundman Mastering as well as a Chris Bellman cut pressed at RTI.
Like WTF VMP.
Not to mention the also currently in print Pure Pleasure (presumably) AAA version.
I'm good with my OG Texas Flood. The other 2![]()
I’m sure it’ll be great, I love the album. It’s certainly “essential.” But not something I need another copy of considering how many times it’s been reissued in high quality formats.All of this says to me is that at least with Texas Flood, they actually picked a release we can agree is "Essential".
I don't have Texas Flood yet, so I'm at least interested in seeing VMPs version.
In VMP's defense, when DCFC plays live, Gibbard actually introduces them, "We're Death Cab For Cutie from Seattle, Washington." But you are correct in principle, and virtually very other aspect of this post.So, just to confirm before I sign up for the Columbia House deal...
April: Sublime - Sublime (Easily VMP's worst RotM pick of all time)
May: SRV - Texas Flood (An awesome album I already have)
June: DCFC - Transatlanticism (An album that will sound spectacular with GZ Crackle).
And DCFC is actually from Bellingham, not Seattle, but we'll just add geography to the list of things Storf is not good at.
How in the fuk is Sublime’s predominant genre “alternative rock” haha! Yeah not a great pick at all and and I’ll echo the really boring lineup for the next three months. Solid albums but all already have fantastic pressings for a lot cheaper than VMP. Get the Bellman cut of Sublime if you want it. Sounds fantastic and has the original lyric to Doin Time.
In VMP's defense, when DCFC plays live, Gibbard actually introduces them, "We're Death Cab For Cutie from Seattle, Washington." But you are correct in principle, and virtually very other aspect of this post.