Jan
Well-Known Member
That's what it goes for at her bandcamp or secretly and probably local storesSo I really like Hatchie and was hoping for her new album something in the high 20's. $37 it is. Ugh.
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That's what it goes for at her bandcamp or secretly and probably local storesSo I really like Hatchie and was hoping for her new album something in the high 20's. $37 it is. Ugh.
Pretty much how I feel about 90% percent of VMP exclusives. I mean I have heard of a lot of them but I am like who actually listens to them.
Same boat for me. For $20 or so, I’d take a chance on rising artists or albums I wasn’t 100% familiar with. If I didn’t like it I could always PIF or sell it at what I paid for it. Kate Bollinger, Still Woozy and Holy Hive were three of my favorites. Just can’t justify it anymore price-wise. I still stream the jazz reissues and some other older reissues they do just to see if anything grabs my attention but haven’t heard any true exclusives that I’ve really wanted to drop $30+ onPart of the appeal of VMP for me was always discovering new artists I otherwise might have never heard of, but QC issues and price increases kind of put a damper on that. Now I usually don't bother sampling a new drop I'm unfamiliar with unless other people are hyping it.
my last two seem to be Jaunt and JLloyd - Kosmos. i think i have listened to each of them approximately once.I was curious to see when was the last time I bought a non-jazz exclusive that was a "new artist discovery" and it turns out it was exactly a year ago with the All Things Blue Rising release.
That's a bummer. I will say I really did like All Things Blue (I'm spinning it right now) but it was an early precursor of how 2021 would shape up: going through multiple copies due to warping/surface noise issues from a Gz pressing.my last two seem to be Jaunt and JLloyd - Kosmos. i think i have listened to each of them approximately once.
Same here. It was fun for a while but I’m much pickier nowadays.Part of the appeal of VMP for me was always discovering new artists I otherwise might have never heard of, but QC issues and price increases kind of put a damper on that. Now I usually don't bother sampling a new drop I'm unfamiliar with unless other people are hyping it.
Damn. I was in the swaps before they even "opened" and still missed out on The Dropper.
My wife paid way too much thankfully for a copy like a year and a half ago for my birthday from a flipper on Amazon so didn't have to enter this madness...but there's also the general repress for those who missed out. My local still has copies for $40 CAD.Irma Thomas secured. Ready to Die was a tempting add-on to flip in three months but I just am not that kinda fella. I'll just keep spinning the copy I picked up in 2018.
Do you NEED to VMP version? Because there's a newer press out there.Damn, didn’t get to swaps in time for biggie. Was going to nab it for my kiddo. If anybody got an extra I’d be happy to buy it
Oh geez, didn’t even realize that Thanks. Is it essentially the same mastering and everything minus the color?Do you NEED to VMP version? Because there's a newer press out there.
Not sure on the mastering tbh, may be worth a look on discogs to see how it stacks up.Oh geez, didn’t even realize that Thanks. Is it essentially the same mastering and everything minus the color?
Oh geez, didn’t even realize that Thanks. Is it essentially the same mastering and everything minus the color?
There are 2 tracks impacted: Machine Gun Funk & Ready to Die. Personally this album is a classic for me so it's easy to notice the omissions because they make the choruses seem less livelyHmmm...from what I'm reading the 2021 doesn't have the "OG Samples" that the VMP version does. Not sure exactly where the missing samples are but I guess there's the downside.