October (are my monthly grids this new release heavy usually?):
Revolver Super Deluxe has been on steady repeat. In the Canyon Haze has swept me back under Brandi's spell. Hahn, Plains, McCraven, Childers, Clementine and Swift all make strong showings with only Swift producing work that isn't in contention for best of the year. I like the Swift. It's not her best work and I can understand some of the complaints of it being regressive, but then the concept of 13 sleepless nights throughout her life is a concept that would allow for that regression. It also has some of her strongest work to date. I can understand the frustration with it. Now if the next album is also regressive without a thematical conceit - then I could understand folks thinking she might be past her prime. Also, sales and streams would seem to point to those who are complaining being a vocal minority (surprise, surprise).
The rest (with the exception of Affinity which was just me wanting to branch out from Dark Side a bit; Johnny and older McCraven, which were both new acquisitions for the table) are the result of some dedicated listening.
Armstrong is due to digging back into Gioia's wonderful How to Listen to Jazz. As both of those were retrospective box sets, I doubt Coleman Hawkins will see the same presence next month.
The Toure & Diabate and Amen Dunes are due to
@Ghost, who ultimately is responsible for this more dedicated listening practice throughout the week. Japanese Breakfast was an extension of that, but was inspired by seeing her ACL performance.