The more i rewatch his films the closer this one sneaks up to be my favorite Tarantino film. It's pretty much been a tie between this and Kill Bill (i count both as one) with Inglorious Basterds a very close second.
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That Ken song and dance was great and theSaw Barbie this morning with friends and family. We all wore something pink. The movie was a lot of fun! The attention to detail was fantastic! Every cast member was great and I really hope the Ken song gets nominated for an Oscar.
Ending definitely doesn’t feel Spielbergian, but it’s a fun sequel nonetheless.An ok movie for two-thirds which falls apart with the San Diego ending which was clearly a last minute change from the original ending they had planned. Made even worse when you have no clue how the crew on the ship died. Also, Julianne Moores character is annoying and dumb.
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I think the filmmaking is admirable but there's frequently a sort of mismatch between the subject and the execution. This sort of visceral, grandiose, experiential tone worked really well (imo) for Dunkirk because that movie was all about silent men trapped in a hopeless situation, but here it sometimes feels like Nolan is afraid to let the movie breathe. Also he remains really bad at writing women.Oppenheimer made me wanna read a book. In a good way, I think; while the movie felt like a whole picture, the editing and Nolan’s mixed-down dialogue left me yearning for concrete context.
I feel like you probably already know this but from what I have read much of Nolan’s script came from adapting American Prometheus by Kai BirdOppenheimer made me wanna read a book. In a good way, I think; while the movie felt like a whole picture, the editing and Nolan’s mixed-down dialogue left me yearning for concrete context.