You’re not helping my regret, @Mr Moore!
Amazing! And I thought I was so lucky snagging a copy that had slight cosmetic damage to the box and jackets for $88! Still a bargain though! It sounds fantastic.
Holy shit that is a fantastic cover of “Bloom.” Really captures the energy of the song.You definitely should. One of the best of the recent London wave, and a bit different to lots of the others due to her Middle Eastern roots. I love the Radiohead cover too...
I went from looking at $15 pressings of a single album to pondering buying this set. Thanks a lot!!
I still need to pick up that RTI My Favorite Things... big hole in my collection.A lot of the Atlantic albums were done by Bernie Grundman and are AAA,
My Favourite Things, Coltrane's Sound ,Coltrane Jazz ,released by Rhino pressed at RTI, they are great value .
Exciting news: Yazz Ahmed is releasing a new album in October
Whoa. Just listened to La Saboteuse for the first time, and man is that some great stuff. But now I am sad to see the vinyl is sold out everywhere...damn.
It would need a better press though.
Whoa. Just listened to La Saboteuse for the first time, and man is that some great stuff. But now I am sad to see the vinyl is sold out everywhere...damn.
After a clean mine sounds not too bad - looks amazing on the wall though worth it just for that amazing art work! View attachment 3522
I see you have Kokoroko there too. A shortie but a goodie. Not a bad press either.After a clean mine sounds not too bad - looks amazing on the wall though worth it just for that amazing art work
I see you have Kokoroko there too. A shortie but a goodie. Not a bad press either.
It’s really great - I was initially disappointed that it wasn’t a full album that came out; however, I’ve come to really enjoy my growing collection of (mostly London scene) jazz EPs. They’re the perfect length really when you want to spin loads of different things in a short amount of time!I see you have Kokoroko there too. A shortie but a goodie. Not a bad press either.
It’s really great - I was initially disappointed that it wasn’t a full album that came out; however, I’ve come to really enjoy my growing collection of (mostly London scene) jazz EPs. They’re the perfect length really when you want to spin loads of different things in a short amount of time!
Ahh - not more money to spend that I don’t have. Haven’t even listened to it and I want!And they all play on each others EP so it just works fine. BTW there is a new record out there with Shabaka Hutchings, Nubya García and many others.
New compilation Untitled collects seven collaborations inspired by the life and work of Jean-Michel Basquiat, pairing emerging and established musicians to create a genre-defying compilation of new music.
* Shabaka Hutchings, Kojey Radical, Wu-Lu, Nubya Garcia, Lex Amor, Ego Ella May, LayFullstop, Moroka, AJ Kwame, Lord Tusk, Roxanne Tataei, Kz, Mala, Joe Armon-Jones, Confucius MC, Kwake Bass, Maxwell Owin & Coby Sey.
* 12″ gatefold sleeve printed with UV Spot gloss
* 1 x 180g heavyweight black vinyl
* Artwork by Fabrice Bourgelle & Anja Ngozi
* Mastered by Finyl Tweek, London.
* Ltd Ed. of 1500
* Vinyl and digital release date: 31/05/2019
A1. Wu-Lu, Lex Amor, Ego Ella May – ‘Legend’
A2. LayFullstop, Moroka, AJ Kwame – ‘Broadcast By Chocolate’
A3. Lord Tusk ft. Roxanne Tataei – ‘Know Ways’
B1. Kojey Radical, Shabaka Hutchings – ‘No Gangster’ (Produced by Kz)
B2. Mala, Joe Armon-Jones, Nubya Garcia – ‘Scratch & Erase’
B3. =CoN+KwAkE= – ‘Same Ol Samo’
B4. Maxwell Owin & Coby Sey – ‘Response to Michel’
Released by Lonely Table, Anja Ngozi and The Vinyl Factory, with support from the Arts Council England, the album spans genres and eras, touching on jazz, experimental electronic, post-punk, dub and ambient influences, painting a diverse picture of the UK’s expanding underground sound.
Drawing on Barbican’s major Basquiat retrospective in 2017, the project also explores themes around identity, representation and social inequality.
As such Untitled also encompasses a youth project with Ruff Sqwad Foundation, in which seven BME young people aged 12-18 were given the opportunity to visit the Tate Modern and create music in response to what they saw.
As LayFullstop says: “We’re celebrating a legend who fought with his brushes and spoke with his work. The need for his work is still as current as ever. The issues we’re attacking are still as current as ever. So it’s only logical that Basquiat is and will continue to be as current as ever.”
I see you have Kokoroko there too. A shortie but a goodie. Not a bad press either.