Jazz

Sunny Side Up - Sunny Side Up

A heavy new compilation from Brownswood shines a light on the independent underground in Melbourne, where a close-knit collection of artists have taken cues from soul, jazz and club culture to carve out a fresh Melbournian sound. Featuring nine different groups, many of them sharing members and studios, the record surveys the musical contours of this bubbling scene, nodding to house, broken beat, samba, p-funk and soul.

Recorded over a week at The Grove, a fabled house-cum-studio in the North Melbourne suburb of Coburg, it’s home to the record’s engineer, Nick Herrera, and two members of Hiatus Kaiyote, the city’s breakout gangster-soul dons with whom many of the record’s personnel have collaborated. Silentjay was musical director, the Rhythm Section-affiliated multi-instrumentalist and producer (who’s played with Joey Bada$$ and Flying Lotus) marshalling together the album’s different players, many of them part of influential collectives 30/70 and Mandarin Dreams.

Nurtured in the city’s collaborative, close-knit confines, the scene has been bubbling up under the radar of Australian music institutions, in the garages and makeshift studios of Melbourne’s suburban sprawl. Sunny Side Up is a colourful portrait of the scene’s potential, exploring the story behind this flourishing period and shining light on some of its most compelling figures.
 
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Have you put the preorder in then @Skalap? I’ve never bought direct from TBM before but I know some of the others have sold out, so I’m not sure if it’s worth waiting to find a uk distributer.

I've ordered all my records from Modulor Records. Actually both Le Très Jazz Club, Le Très Groove Club or Wewantsounds (Ziad Rahbani, Akiko Yano, Jack Wilkins, Don Cherry, Harold Land, Buddy Terry, etc...) are all Modulor's sub-labels. They are super friendly and have the better prices you can find.
 
Can’t wait for the new Brownswood comp announced today - Sunny Side Up. It’s the Australian version of the We Out Here compilation. Mildlife, Allysha Joy and Zeitgeist Freedom Energy Ecchange have been on heavy rotation for me this last year so am super excited to hear more . P.s - we’ll done everyone on the AMA yesterday - gonna have a read through today as I was playing football when it was on yesterday
https://sunnyside-up.bandcamp.com/album/sunny-side-up
 
Can’t wait for the new Brownswood comp announced today - Sunny Side Up. It’s the Australian version of the We Out Here compilation. Mildlife, Allysha Joy and Zeitgeist Freedom Energy Ecchange have been on heavy rotation for me this last year so am super excited to hear more . P.s - we’ll done everyone on the AMA yesterday - gonna have a read through today as I was playing football when it was on yesterday
https://sunnyside-up.bandcamp.com/album/sunny-side-up
Sunny Side Up - Sunny Side Up

A heavy new compilation from Brownswood shines a light on the independent underground in Melbourne, where a close-knit collection of artists have taken cues from soul, jazz and club culture to carve out a fresh Melbournian sound. Featuring nine different groups, many of them sharing members and studios, the record surveys the musical contours of this bubbling scene, nodding to house, broken beat, samba, p-funk and soul.

Recorded over a week at The Grove, a fabled house-cum-studio in the North Melbourne suburb of Coburg, it’s home to the record’s engineer, Nick Herrera, and two members of Hiatus Kaiyote, the city’s breakout gangster-soul dons with whom many of the record’s personnel have collaborated. Silentjay was musical director, the Rhythm Section-affiliated multi-instrumentalist and producer (who’s played with Joey Bada$$ and Flying Lotus) marshalling together the album’s different players, many of them part of influential collectives 30/70 and Mandarin Dreams.

Nurtured in the city’s collaborative, close-knit confines, the scene has been bubbling up under the radar of Australian music institutions, in the garages and makeshift studios of Melbourne’s suburban sprawl. Sunny Side Up is a colourful portrait of the scene’s potential, exploring the story behind this flourishing period and shining light on some of its most compelling figures.

🍻
 
Not certain this is the right place to post, but some terrible losses reported for the jazz community.

The Day the Music Burned
"Virtually all of Buddy Holly’s masters were lost in the fire. Most of John Coltrane’s Impulse masters were lost, as were masters for treasured Impulse releases by Ellington, Count Basie, Coleman Hawkins, Dizzy Gillespie, Max Roach, Art Blakey, Sonny Rollins, Charles Mingus, Ornette Coleman, Alice Coltrane, Sun Ra, Albert Ayler, Pharoah Sanders and other jazz greats. Also apparently destroyed were the masters for dozens of canonical hit singles, including Bill Haley and His Comets’ “Rock Around the Clock,” Jackie Brenston and His Delta Cats’ “Rocket 88,” Bo Diddley’s “Bo Diddley/I’m A Man,” Etta James’s “At Last,” the Kingsmen’s “Louie Louie” and the Impressions’ “People Get Ready.”"
 
Not certain this is the right place to post, but some terrible losses reported for the jazz community.

The Day the Music Burned
"Virtually all of Buddy Holly’s masters were lost in the fire. Most of John Coltrane’s Impulse masters were lost, as were masters for treasured Impulse releases by Ellington, Count Basie, Coleman Hawkins, Dizzy Gillespie, Max Roach, Art Blakey, Sonny Rollins, Charles Mingus, Ornette Coleman, Alice Coltrane, Sun Ra, Albert Ayler, Pharoah Sanders and other jazz greats. Also apparently destroyed were the masters for dozens of canonical hit singles, including Bill Haley and His Comets’ “Rock Around the Clock,” Jackie Brenston and His Delta Cats’ “Rocket 88,” Bo Diddley’s “Bo Diddley/I’m A Man,” Etta James’s “At Last,” the Kingsmen’s “Louie Louie” and the Impressions’ “People Get Ready.”"
This is awful, is it a recent event? Do you have a link to the article it’s taken from please?
 
Not certain this is the right place to post, but some terrible losses reported for the jazz community.

The Day the Music Burned
"Virtually all of Buddy Holly’s masters were lost in the fire. Most of John Coltrane’s Impulse masters were lost, as were masters for treasured Impulse releases by Ellington, Count Basie, Coleman Hawkins, Dizzy Gillespie, Max Roach, Art Blakey, Sonny Rollins, Charles Mingus, Ornette Coleman, Alice Coltrane, Sun Ra, Albert Ayler, Pharoah Sanders and other jazz greats. Also apparently destroyed were the masters for dozens of canonical hit singles, including Bill Haley and His Comets’ “Rock Around the Clock,” Jackie Brenston and His Delta Cats’ “Rocket 88,” Bo Diddley’s “Bo Diddley/I’m A Man,” Etta James’s “At Last,” the Kingsmen’s “Louie Louie” and the Impressions’ “People Get Ready.”"
This is awful, is it a recent event? Do you have a link to the article it’s taken from please?

The fire that swept across the backlot of Universal Studios Hollywood on Sunday, June 1, 2008
 
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